OPEN CHANNEL - Short Courses

Special Offer for all OPEN CHANNEL Students

All OPEN CHANNEL students receive an Equipment Voucher for a 50% discount on two days' equipment hire (valid for six months).

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All short courses are run on demand, minimum numbers must be met one week prior to commencement otherwise cancellation will occur.

OPEN CHANNEL reserves the right to change or cancel scheduled course dates. OPEN CHANNEL contacts all enrolled students one week prior to commencement to confirm or, if necessary, cancel courses and refund fees.* Every effort has been taken to ensure the accuracy of information contained in the Tutor Biographies; however, OPEN CHANNEL doesn’t accept responsibility where errors or omissions have occurred.
*Please read the refund policy carefully before enrolling

If you don’t see the course for you think about Customised Training.

All students of OPEN CHANNEL training receive an Equipment Voucher valid for 6 months that entitles graduates to a 50% discount for two days worth of equipment hire.

Course descriptions and dates

Cinematography: Painting with Light

Vivid colour, stark images, heavenly light: how do they do it? With practical guidance from an experienced Director of Photography and Gaffer (Lighting Technician) this comprehensive course examines the styles and genres of classic feature films from Naturalism to Noir; Romance to Horror; Golden Age to Crime; in order to unravel the secrets of cinematography.

Work through practical exercises in three-point lighting and it’s derivatives, creative use of filters, cutters and screens as well as achieving great visuals with available light to ‘paint’ your images so they meet their full artistic potential.

A professional gaffer (lighting technician) will demonstrate some of the tools of the trade and discuss pertinent issues including electrical safety, on-set etiquette, the gaffer/ cinematographer relationship, and short cuts to achieving your lighting needs.

Experiment with different cameras: from broadcast DV to high-end HD. Discover how photographic principles transfer to the moving image; how solid planning and creative use of cutters, gels, scrims, iris-control and backlight contributes to excellence in cinema; how solid craftsmanship literally “paints” with light.

Who should do this course?
Camera crew wishing to heighten their artistic skills, and aspiring directors wanting to better understand the potential of their cinematographer, or photographers wishing to branch out into cinema.

Pre-requisites: Digital Filmmaking Introduction or equivalent. Camera skills and/or shooting experience necessary.

When: April 11, 12, 13 / September 5, 6, 7
Time: 6:15 - 9:15pm Fri, 10:00am - 5:00pm Sat & Sun
Cost: $372 full / $310 OC members
Duration: 1 evening & 2 days
Maximum participants: 12

April Tutor: Max Davies
Max is currently a freelance cinematographer working on a diverse range of projects both locally and internationally and has worked in the Australian film and television industry for 15 years. As a cinematographer Max has extensive experience in drama, documentary, tvcs and music film clips in both location and studio environments, and in stopmotion animation techniques.

Max is a graduate of the Australian Film Television and Radio School with a B.A. in Cinematography (1996) and also has a BA in Arts (Media Arts, 1988) from RMIT, Melbourne. During his time at AFTRS, Max wrote and directed two short films and was director of photography on many others.

Testimonials
I just thought I should give you a little more feedback from yesterday. … I thought Dave was a fantastic teacher. His technical and practical knowledge were invaluable and he quickly tuned into our focus and tailored the day to suit our needs. For me it was THE most effective training day I have ever had...and I have had a few…
Brian, November 2007

Colourgrading (with Final Cut Pro)

This is where FCP 6.0 really earns its stripes: the art of replacing or correcting colour accurately and with finesse. Understand colour theory, learn the art of de-saturating, utilise plug-ins and walk out with a solid, hands-on familiarisation with the craft. One to one tutoring will get you skilled up to add that professional finish to your future projects.

Examine the intricacies of how colour correction behaves in differing formats: Film, HD, Mini-DV. Investigate colour temperature and tones with clear examples from unique feature films to analyse the ‘psychology’ of colour.

Who should do this course?
Editors wishing to further their skills in this important post-production area. Particularly good for independent filmmakers wishing to finish corporates or low budget shorts on a tight budget.

Pre-requisites: Final Cut Pro Advanced or equivalent. Editing skills and/or experience necessary.

When: April 4, 5, 6 / October 10, 11, 12
Time: 6:15 - 9:15pm Fri, 10:00am - 5:30pm Sat & Sun
Cost: $678 full / $565 OC members
Duration: 1 evening & 2 days
Maximum participants: 4

April Tutor: RICHARD GREENHALGH
Richard graduated from film school in 1991 and began his career in educational video in South Africa. He worked for many years as an editor/ producer for short films both there and in London. When Richard moved to Australia in 2002, he continued to develop his career editing music video clips, short films and corporate and educational videos. Richard uses and teaches a range of computer-based edit systems including AVID Xpress, Final Cut Pro and Adobe Premier. He is also a dab hand at DVD Studio Pro, Motion, Soundtrack and Adobe Photoshop. Richard is also trained in “Train the Trainer” training!

Complete Continuity

As the editor’s representative on set, the Continuity person an important crew role often misunderstood. Develop an understanding of the craft of continuity and learn what it takes to work in this role in the film and television industry.

This intensive workshop will cover all the tasks expected of continuity in pre-production and production, with comprehensive handouts and practical exercises of timing and marking-up scripts, estimating screen time and creating options in for the editor. Get tips on what the tools of the trade are from an industry professional and learn why paperwork is important.

Who should do this course?
People interested in the crew role of continuity, aspiring directors and editors wanting to understand the craft and how to utilise it for better results.

Pre-requisites: Digital Filmmaking Introduction or equivalent. Basic filmmaking knowledge and/or experience necessary.

When: September 13 & 14
Time: 10:00am - 5:00pm Sat & Sun
Cost: $216 full / $180 OC members
Duration: 2 days
Maximum participants: 16

Tutor
To be confirmed

Design Your Film

Think before you shoot; what’s happening in the background… Design encompasses the entire “look” of your film; from costume to mise-en-scene. This intensive workshop introduces you to the basics of art direction, costume and set design.

A venerated Production Designer – one who knows all the tricks – disentangles the process, incorporating: script breakdown for art department, props buying, budget estimations and restrictions, the subtleties of period dressing, breaking down sets, costume, crew roles, wet sets and doubles to create the unfolding pastiche of your film. Guest lecturers include: costume designer, special effects and production experts.

Who should do this course?
An ideal beginning for anyone interested in film design; including the many crew roles in costume, sets, production, make up and props departments. This is also the perfect course for producers and directors interested in understanding the complex world of film design.

Pre-requisites: Basic understanding of filmmaking beneficial such as Digital Filmmaking Introduction, but not necessary.

When: August 1, 2, 3
Time: 6:15 - 9:15pm Fri, 10:00am - 5:30pm Sat & Sun
Cost: $240 full / $200 OC members
Duration: 1 evening & 2 days
Maximum participants: 16

Tutor: JULIE BELLE
Julie Belle has worked in the film and television design business since1976. Her work covered a wide variety of productions, though her expertise is concentrated in the drama production area. She has worked both in Australia as well as overseas as a designer and art director.

She trained and worked as a designer in Sydney, where she was Head of Design at the ABC. In 1995, Julie resumed her work as a senior production designer, and moved to Melbourne for a six month long production. After leaving the ABC in late 1996, she freelanced in Melbourne as a production designer and designed a children’s drama series and many television commercials both for local and overseas production companies. Since 2001, Julie has been teaching interior design and screen design in Melbourne.

Digital Filmmaking Introduction

Digital Filmmaking – the new rock ‘n’ roll – is a highly popular weekend course introducing beginners to the processes of digital video production and postproduction. This intensive, practical workshop takes students through the basics of shooting a short drama script, including basic digital camera operation, lighting techniques, sound recording and editing the footage.

Navigate the complex terrain of on-set protocols, crew roles, directing actors and have a ball while doing it. All participants receive the OPEN CHANNEL “Digital Filmmaking: An Introductory Handbook” and a DVD copy of their short film.

Who should do this course?
Excellent for beginners interested in filmmaking; wanting an overview of the production process and some hands-on experience to get started.

Pre-requisites: Basic computer literacy necessary.

When: March 28, 29, 30 / October 24, 25, 26
Time: 6:15 - 9:15pm Fri, 10:00am - 5:30pm Sat & Sun
Cost: $372 full / $310 OC members
Duration: 1 evening & 2 days
Maximum participants: 10

March Tutor: RACHAEL THOMPSON
Rachael Thompson is a graduate filmmaker from Flinders University, Adelaide. Her short documentary Cool Connector took out the award for ‘Best Film’ at Flinders during her Honours year in Screen Studies in 2004. Since completing her studies, Rachael has continued to focus her attention on developing projects in the documentary realm; has assisted on Australia Network’s educational television program, Nexus; and worked as a radio producer with ABC Adelaide, while also working as leader and coordinator of workshops for young people. Alongside educational policy makers, festival directors, arts organisations and film industry practitioners, Rachael is a member of the Democracy Project Steering Committee, a Department of Education and Children’s Services (DECS) SA initiative. The committee complements the International Democracy Documentary Film Project, lead by some of the world’s top commissioning editors. Its purpose is to engage the international community in the critical and empowering potential of media literacy learning, with a specific focus on the theme of democracy. Rachael holds a degree in Journalism from the University of South Australia and has studied in the faculty of Radio and Television Arts at Ryerson University, Canada on a scholarship exchange. With an approach that encompasses the desire to entertain and challenge audience perspective by the use of innovative filmmaking, Rachael’s passion is for individual stories that have the potential to highlight issues of social importance. Previous credits include Producer, Director and Assistant Director roles on short dramas and documentaries in Toronto, Edinburgh and Australia.

Testimonial
Just want to say that the digital film- making course on the weekend was x?@#%* unbelievable! I absolutely loved it and it's given me so much more skills and confidence to pursue my love for films! The other team members were so much fun too!
Paris, October 2007

Digital Distribution

New technology allows digital information and content to be distributed via the Internet in the form of products or services. And due to the rise in consumer broadband, both short and feature films are now set to reach new audiences. Learn the terminology, the technology and the potential of Digital Distribution.

Discover bandwidth services for video: the rapidly evolving carriers, ISPs and changing international legalities. How do you protect yourself and maximize profitability? What’s the new deal? And how does this relate to more traditional angles? Will your clients download with the right software installation or does the service default to the provider?

This intensive workshop will cover revenue models, options for content, future forecasts for online video, URLs, internet streaming, corporate networks, viral marketing, branded content and creating your Web-portal. All this and more to give your film the digital advantage.

Guest speakers will include a Post Production Facility and producers who have experience the digital revolution first hand on their recent projects.

Who should do this course?
Producers, directors, low-budget filmmakers wanting the jump on the competition. Also suitable for marketing managers, corporate communications and entertainment personnel.

Pre-requisites: Basic filmmaking knowledge preferable for example Digital Filmmaking Introduction.

When: July 12 & 13
Time: 10:00am - 5:00pm Sat & Sun
Cost: $198 full / $165 OC members
Duration: 2 days
Maximum participants: 16

Tutor
To be announced.

Documentary Filmmaking Introduction

Get the skills to make your own documentary with this intensive practical course. Participants will write a short script, shoot and each have the chance to direct, operate camera, record sound and edit a short documentary. Learn how to prepare a documentary script for shooting and examine storytelling conventions, script formats, interview techniques, and the legal, ethical and practical implications of documentary making.

Discover what it takes to direct documentary; how to work with subjects to gain honest responses; how to direct your camera crew to get what you want and how to work with an editor to craft your story. Get tips on how to cope with the challenges of directing voice-overs, using multi-formats and directing re-enactments. Don’t miss out on this fabulous opportunity to deepen your skill base and learn from the insight of highly experienced documentary director.

Who should do this course?
Beginners who want to establish skills and overall knowledge of the documentary process. A great course if you have a documentary idea and want to know how to tell it.

Pre-requisites: Basic computer literacy necessary.

When: June 2, 6, 7, 8
Time: 6:15 - 9:15pm Mon & Fri, 10:00am - 5:30pm Sat & Sun
Cost: $420 full / $350 OC members
Duration: 2 evenings & 2 days
Maximum participants: 10

Tutor: ELISE WEST
Elise has extensive experience in international current affairs, video journalism and independent documentary she has researched and written various documentaries for SBS’s Dateline. She has worked in low budgets without crews and in foreign countries. She is currently co-directing a feature documentary set in Peru – an Australia/USA co-production with finance from SBSi and FFC.

Testimonial
It was a comprehensive overview with an experienced Tutor. The best part of the course was the class size; it was small allowing everyone a real go at everything!
June 2007

DVD Production

Utilising DVD Studio Pro and iDVD, find out what interface to use for different formats and compression rates. A practical workshop that will have you previewing your DVD, creating menus, mini-web pages, navigation buttons, links and discovering how to import Photoshop options and motion menus.

If you have a small existing project, this is a great chance to design your DVD menu and extras and practise burning with the support of an industry professional. DVDs are also a reliable mode of presenting all your film related media, eg CV, stills, scripts, testimonials, showreels, etc. Arm yourself with these all-important skills and finish your projects professionally.

Who should do this course?
Editors wishing to add to their “finishing” skills and filmmakers wanting the tools to “do it themselves”. Perfect opportunity for people to bring in short projects to work into a DVD over the weekend.

Pre-requisites: Final Cut Pro Introduction or equivalent. Editing skills and/or experience necessary.

When: May 9, 10, 11 / July 25, 26, 27
Time: 6:15 - 9:15pm Fri, 10:00am - 5:30pm Sat & Sun
Cost: $678 full / $565 OC members
Duration: 1 evening & 2 days
Maximum participants: 4

May Tutor: GAVIN EMMANUEL
Gavin Emmanuel has been a camera operator, editor and independent producer under his own banner for just over ten years. Ranging from an array of private and commercial work, he has also had a prominent role in the production of a number of music videos and short films in this time.

With a comprehensive understanding of Final Cut Pro and all it’s variants, Gavin crosses between the platforms of DVD Studio Pro, Compressor, LiveType, Soundtrack Pro and Motion to help facilitate a complete understanding of the post production workflow, dealing with everything from home ‘home handycam’ to 35mm film footage.

As the complexity of the industry deepens, so must the fluidness of communication between the teacher and the student. Gavin employs a highly interactive approach to teaching the subject matter, creating a friendly and relaxed learning environment.

Editing Essentials

So you think you know how to edit; knowing editing software is only one skill of the consummate editor. In this weekend workshop, learn the principles and conventions of film and video editing for drama and documentary. Know when to break with convention, how to build suspense with pacing and shot selection and what breaks (or keeps) audience attention. An experienced editor will discuss the history and theory of film/video editing and demonstrate editing principles through viewing examples. Complement your editing skills and craft your footage into a masterpiece through well-chosen shots that are paced and cut to reflect the story perfectly.

Who should do this course?
Ideal for editors and directors wanting to get the most out of their footage. Prior editing experience is an advantage.

Pre-requisites: Final Cut Pro Introduction or equivalent. Editing skills and/or experience necessary.

When: April 19 & 20 NEW DATES!
Time: 10:00am – 5:30pm Sat & Sun
Cost: $180 full / $150 OC members
Duration: 2 days
Maximum participants: 16

Tutor: RICHARD GREENHALGH
Richard graduated from film school in 1991 and began his career in educational video in South Africa. He worked for many years as an editor/ producer for short films both there and in London. When Richard moved to Australia in 2002, he continued to develop his career editing music video clips, short films and corporate and educational videos. Richard uses and teaches a range of computer-based edit systems including AVID Xpress, Final Cut Pro and Adobe Premier. He is also a dab hand at DVD Studio Pro, Motion, Soundtrack and Adobe Photoshop. Richard is also trained in “Train the Trainer” training! Richard was recently awarded Best Editor (Short Film) by the Australian Screen Editors Guild.

Final Cut Pro Introduction

This comprehensive workshop is an exercise -based course covering the basic principles of editing and the many features of Final Cut Pro 6. Gain an overall understanding of the principles and strategies for non-linear editing and learn about the basic features of the program including media storage, working pathways, capturing media and setting up a project. You will also explore some of the special features like titling, compositing, layers, filters, effects and sound mixing. With a maximum of four participants, ensuring you one-on-one tutoring, along with optimal support and advice from our experienced editor.

Who should do this course?
This course is designed for beginners wanting to learn how to operate a non-linear editing system, specifically the Final Cut Pro software. You will walk away with the knowledge and skills to be able to start editing straight away.

Pre-requisites: Basic computer literacy and understanding of Mac based computer systems an advantage.

When: January 18, 19, 20 / February 15, 16, 17 / April 18, 19, 20 / May 16, 17, 18 / July 18, 19, 20 / August 15, 16, 17 / October 17, 18, 19 / November 14, 15, 16 / December 5, 6, 7
Cost: $678 / $565 for OC members
Time: 6:15 - 9:15pm Fri, 10:00am - 5:30pm Sat & Sun
Duration: 1 evening & 2 days
Maximum participants: 4

Tutor: MATTHEW ROOKE
Since graduating from VCA in 1994 Matthew has amassed over 12 years of experience as a film & television professional in a number of roles. His first love is documentary and he has a number of broadcast credits in roles of Producer, Director and Editor. Matthew recently finished editing an ABC documentary he shot and produced in Antarctica. Matthew has extensive experience in corporate communication video production as a Director/Editor with blue chip corporations where his work has won awards here and overseas. His editing experience is mainly in FCP where he has edited in Melbourne and Sydney.
Matthew has also worked as an Assistant Director in feature films and television as 1st, 2nd and 3rd AD.

Testimonial
The tutor help provided when problems arose and he was really knowledgeable. Because of the small class time, we got one-on-one time with Matt and were able to complete a project and got to take a copy to use as part of my own portfolio.
John, October 2007

Final Cut Pro Advanced

This intensive workshop builds on participants’ existing Final Cut Pro skills and covers compositing, methods to speed and enhance editorial workflow including hot keys, batch lists, media management of large projects, problem solving and prevention. You will also learn about real time effects, Final Cut Pro bundle programs, Cinema Tools for Final Cut Pro and how to minimize bugs and crashes. A highly skilled editor armed with practical exercises and advice, puts the cutting-edge of off-line editing right at your fingertips. A class group of four participants ensures you plenty of hands-on learning with optimal support and advice.

Who should do this course?
This course is designed for people with editing experience wanting to learn the advanced features of Final Cut Pro.
Pre-requisites: Final Cut Pro Introduction or equivalent. Editing skills and/or experience necessary

When: March 14, 15, 16 / June 20, 21, 22 / September 19, 20, 21 / December 12, 13, 14
Cost: $678 / $565 for OC members
Time: 6:15 - 9:15pm Fri, 10:00am - 5:30pm Sat & Sun
Duration: 1 evening & 2 days
Maximum participants: 4

March Tutor: RICHARD GREENHALGH
Richard graduated from film school in 1991 and began his career in educational video in South Africa. He worked for many years as an editor/ producer for short films both there and in London. When Richard moved to Australia in 2002, he continued to develop his career editing music video clips, short films and corporate and educational videos. Richard uses and teaches a range of computer-based edit systems including AVID Xpress, Final Cut Pro and Adobe Premier. He is also a dab hand at DVD Studio Pro, Motion, Soundtrack and Adobe Photoshop. Richard is also trained in “Train the Trainer” training!

Testimonial
The advanced FCP course was fantastic and (the Tutor) was an awesome imparter of complex knowledge - he kind of does it 'in a nutshell'.

There was a lot to cover in just a few days so it was go-go-go, but (the Tutor) was very enthusiastic and diligent about honing in on the things that anyone learning about real world editing needs to know.

Admittedly some things slipped through the cracks (as they do), but now that I've had a couple of days distance from the course, the knowledge that I did retain (and record/practice) was absolutely priceless.

So I am very grateful for being given this opportunity.

I really think anyone wanting to learn FCP (even as a beginner) needs this kind of knowledge to give them a big boost forward.

Many thanks and well done!
Genevieve, May 2007

Greenscreen Techniques

This is a practical workshop where students light, shoot and edit greenscreen footage.

Skill-up on compositing, matting, colour filters and chroma-keying techniques. Understand the use of alpha channel and colour-space, be assured you have compression rates right to really “sell” the visual results and avoid “step-laddering”.

Who should do this course?
Great course for filmmakers and editors wanting practical experience and a broad understanding of working with greenscreen.

Pre-requisites: Digital Filmmaking Introduction or equivalent. Basic camera and editing skills necessary.

When: February 8, 9, 10 / August 8, 9, 10,
Time: 6:15 - 9:15pm Fri, 10:00am - 5:30pm Sat & Sun
Cost: $372 full / $310 OC members
Duration: 1 evening & 2 days
Maximum participants: 10

Tutor: GAVIN EMMANUEL
Gavin Emmanuel has been a camera operator, editor and independent producer under his own banner for just over ten years. Ranging from an array of private and commercial work, he has also had a prominent role in the production of a number of music videos and short films in this time.

With a comprehensive understanding of Final Cut Pro and all it’s variants, Gavin crosses between the platforms of DVD Studio Pro, Compressor, LiveType, Soundtrack Pro and Motion to help facilitate a complete understanding of the post production workflow, dealing with everything from home ‘home handycam’ to 35mm film footage.

As the complexity of the industry deepens, so must the fluidness of communication between the teacher and the student. Gavin employs a highly interactive approach to teaching the subject matter, creating a friendly and relaxed learning environment.

HD Workflows

High Definition broadcast is just around the corner and fast becoming a viable alternative for finishing projects. So plan and structure your workflows to suit your budget and delivery requirements. Learn how to supply the set delivery items by working backwards from the end point. Know what format suits your project and budget and anticipate to “up-res” or distribute on alternative formats. Guest speakers will include post-production experts, who will introduce you to the 20 different possible finishing formats and where the hic-ups can occur.

Who should do this course?
Producers, directors and editors who want a clear overview of the implications of shooting and finishing on High Definition.

Pre-requisites: Basic understanding of filmmaking beneficial such as Digital Filmmaking Introduction or equivalent

When: March 8 / August 23
Time: 10:00am - 5:00pm Sat
Cost: $84 full / $70 OC members
Duration: 1 day
Maximum participants: 16

Tutor
To be announced

iPod therefore iAm

Bring in your new toy and discover how to get the most out of it. Explore the basics of iPod Classic, the new iPod Nano or Apple iPod touch, and go beyond the basic functions of downloading music.

This practical workshop will give you a clear idea of how to use your iPod and will introduce you to its full potential: as a powerful tool for communicating and distributing media.

Who should do this course?
Anyone who owns an iPod and/or is interested in utilising iPods for media distribution.

Pre-requisites: None. Beneficial to bring your own iPod to the workshop

When: February 20 / October 22
Time: 6:15 - 9:15pm Wed
Cost: $60 full / $50 OC members
Duration: 1 evening
Maximum participants: 16

February Tutor: GAVIN EMMANUEL
Gavin Emmanuel has been a camera operator, editor and independent producer under his own banner for just over ten years. Ranging from an array of private and commercial work, he has also had a prominent role in the production of a number of music videos and short films in this time.

With a comprehensive understanding of Final Cut Pro and all it’s variants, Gavin crosses between the platforms of DVD Studio Pro, Compressor, LiveType, Soundtrack Pro and Motion to help facilitate a complete understanding of the post production workflow, dealing with everything from home ‘home handycam’ to 35mm film footage.

As the complexity of the industry deepens, so must the fluidness of communication between the teacher and the student. Gavin employs a highly interactive approach to teaching the subject matter, creating a friendly and relaxed learning environment.

Law Camera Action

Taught by an experienced art lawyer, this workshop explores the array of legal issues relevant to the development, production and distribution of film. From contracts to copyright, this is a vital course for anyone making film or video production.
Topics include: copyright law, rights to personality, defamation law, music law, contracts, release forms, insurance, unions, company structures (sole trader vs. incorporation) and where the law is heading in this digital age. Find out how the law can assist you to protect your rights.

Who should do this course?
Suitable for anyone interested or currently working in the screen industry. Producers, writers, directors and all crew will gain something from this workshop.

Pre-requisites: None. Beneficial to have basic filmmaking knowledge

When: April 5 [note change of advertised date] / November 22
Time: 10:00am - 2:30pm Sat
Cost: $66 full / $55 OC members
Duration: 1/2 day
Maximum participants: 20

Tutor: SHAUN MILLER
Shaun holds a Bachelor of Commerce degree and Bachelor of Laws (with Honours) degree from the University of Melbourne. He also has a Post-Graduate Diploma in Intellectual Property Law from the University of Melbourne. Shaun is a Senior Associate at Marshalls & Dent Lawyers' Media and Entertainment Department. He is currently on the Board of the Victorian College of the Arts Film and Television School Course Advisory Committee. Shaun also lectures in film and entertainment law at Open Channel, VCA, AFTRS and RMIT. Recent projects Shaun has worked on include the feature films "Ned Kelly", "The Rage in Pacid Lake", “Gettin’ Square” and "Suburban Mayhem"; numerous FFC-funded documentaries; AFC and Film Victoria funded shorts and documentaries; as well as the television program "John Safran’s Music Jamboree" and telemovie "Curtin". Shaun also acted for the producer of the short animated film "Harvie Krumpet" which won an Oscar at the Academy Awards in 2004. Shaun sees the role of today’s film and entertainment lawyer as a "facilitator", that is, liaising with producers, government funding bodies, distributors, financiers and creative talent in order to get films and television programs onto the big and small screen.

Testimonial
It was all good and informative. The general information and questions from the group were great.
August 2007

Having real examples and open discussion in a relaxed environment was helpful.
Tutor was very open and actually in the industry!
August 2007

Marketing on a Shoe String

Understand how publicity and word-of-mouth can drive a marketing campaign that doesn’t have the dollars attached. Learn the secrets of the market research activities that major distributors employ, develop and manage strategies that will promote your film through trailers, television, radio, the internet, print, and merchandising tie-ins and promotional tours. Whatever your release strategy, and whether working independently or with a Distributor, this Seminar will give you the knowledge as a filmmaker to make your film highly visible.

Who should do this course?
Independent producers and filmmakers, as well as television directors, wanting a crash course in marketing or refresher existing marketing knowledge.

Pre-requisites: Filmmaking knowledge and experience necessary

When: Course postponed to later date TBC
Time: 10:00am - 5:00pm Sat & Sun
Cost: $144 full / $120 OC members
Duration: 2 days
Maximum 16 participants

Tutor
To be confirmed

Motion Graphics

Orientate yourself within the special effects department of Final Cut Studio 2: the software’s most intuitive program. Cross the bridge between editing and creating the moving image, in short: 2D and 3D animation.

Guided by an experience editor, you will be put through your paces with practical exercises that will have you filtering and animating objects in real-time, compositing 3D images and applying behaviours for a rapid, fluid approach to animation. Take advantage of full keyframe curve editing for fine-grained precision. Or mix and match to get just the effect you want.

A maximum of four participants ensures one-to-onetutoring and allows students to work at their own pace.

Who should do this course?
Editors, designers and filmmakers wanting to understand and put into practise motion graphics software.

Pre-requisites: Final Cut Pro Introduction or equivalent. Basic editing skills and/or experience necessary.

When: June 13, 14, 15
Time: 6:15 - 9:15pm Fri, 10:00am - 5:30pm Sat & Sun
Cost: $678 full / $565 OC members
Duration: 1 evening & 2 days
Maximum participants: 4

Tutor: GAVIN EMMANUEL
Gavin Emmanuel has been a camera operator, editor and independent producer under his own banner for just over ten years. Ranging from an array of private and commercial work, he has also had a prominent role in the production of a number of music videos and short films in this time.

With a comprehensive understanding of Final Cut Pro and all its variants, Gavin crosses between the platforms of DVD Studio Pro, Compressor, LiveType, Soundtrack Pro and Motion to help facilitate a complete understanding of the post production workflow, dealing with everything from home ‘home handycam’ to 35mm film footage.

As the complexity of the industry deepens, so must the fluidness of communication between the teacher and the student. Gavin employs a highly interactive approach to teaching the subject matter, creating a friendly and relaxed learning environment.

Show Me the Money: Obtaining Sponsorship

Learn what creates confidence in a sponsor, understand what sponsors are looking for, how to identify your audience and link them to a sponsor. This intensive seminar will address negotiation skills, closing the deal, analysing risks, what’s the best return, the legalities of sponsorship and possibility of recouping funds.

Who should do this course?
Independent producers and filmmakers, as well as television directors, wanting a crash course in sponsorship and how it can assist their projects.

Pre-requisites: Filmmaking knowledge and experience necessary

When: June 28
Cost: $114 full / $95 OC members
Time: 10:00am - 5:00pm Sat
Duration: 1 day.
Maximum participants: 16

Tutor
To be confirmed

Producing and Production Management

Managing a film or television requires a broad understanding of the entire production process. Discover how to present and package your film to funding bodies and networks as well as acquiring the skills to budget, schedule, mark up scripts, cast and crew obligations, accounting, taxation, insurance and distribution. Taught by an experienced Producer, with special guest lecturers and field excursions, this course is an intensive introduction to the business side of the industry.

Who should do this course?
Ideal for beginners or experienced filmmakers wanting an in-depth insight into producing, as well as a broad understanding of the entire production process.

Pre-requisites: Basic English literacy necessary.

When: April 28, May 3, 5, 10, 12, 17, 19, 24, 26 & 31 / September 29, October 4, 6, 11, 13, 18, 20, 25, 27 & November 1
Time: 6:15 - 9:15pm Mon, 10:00am - 5:00pm Sat
Cost: $495 full / $412 OC members
Duration: 5 evenings & 5 days
Maximum participants: 16

April Tutor: SUE MARRIOTT
Sue currently works as a freelance film production and events management consultant and lecturer in arts management. She was an Industrial Organiser for 16 years with the Media Entertainment & Arts Alliance (MEAA) and a recent Film Victoria Board Member until 2004. Sue is currently President of Women in Film & Television (WIFT) Victoria and a Vice-President of the MEAA, Victorian Branch. As a lecturer at Melbourne University for the last two years, Sue taught Industrial Relations and Arts Management for Post-Graduate Diploma students. She has a recent broadcast screen credit as Production / Location Management Consultant for the documentary “Endangered”. Sue knows and has worked or consulted with, nearly every established producer/production company in Victoria and many interstate.

Testimonial
Loved having guest speakers/industry practitioners! Very effective & useful handouts - Thanks Sue! A great course!
November 2007

The combination of course work and excursions. Guest speakers who spoke about personal experience in the industry. This combined well with the "theoretical" content and showed how it was put into practice. Sue's knowledge and industry experience was awesome.
November 2007

Screen Writing Introduction

Learn to craft your ideas into a strong narrative with this practical writing workshop. In seven weeks, develop a story into a compelling narrative with strong characters, write believable dialogue, draft to industry standard and learn to receive constructive feedback in script editing sessions. Exercises in concept development, structuring a narrative and writing dialogue will inspire you to write, write, write! Complete (or be well on the way to completing) a film script.

Who should do this course?
Suitable for beginners and those with some experience in writing and need a deadline and script editing support to complete a script.

Pre-requisites: Basic English literacy necessary. Beneficial to bring your ideas for film stories to the first session.

When: May 29, June 5, 12, 19, 26 July 3 & 10 / November 6, 13, 20, 27, December 4, 11 & 18
Time: 6:15 - 9:15pm Thur
Cost: $360 full / $300 OC members
Duration: 7 evenings
Maximum participants: 12

Tutor: IAN DIXON
Writer/ director Ian Dixon graduated from VCA School of Film and Television in 1998. Ian directed the SBS film Wee Jimmy and most recently produced, directed, wrote and edited his first feature film CRUSHED. Ian was Assistant to the Artistic Director of the Australia Korea Foundation and has worked as teacher and lecturer in screenwriting at tertiary institutions, notably the University of Melbourne, Monash University, Victorian College of the Arts and OPEN CHANNEL. He recently completed his PhD on the films of John Cassavetes through the University of Melbourne at VCA. Ian is in high demand as a screenwriting tutor, and currently tutors at OPEN CHANNEL, Homesglen TAFE, SAE and Swinburne.

Testimonial
Ian’s (the Tutor) professional experience, handouts and sessions in writing situations were really helpful.
Phillippe, November 2006

Brilliant attention to detail, plenty of fine examples and a fun, dynamic relationship to the class, I wanted it to go for longer.
Susan, November 2006

There’s No Business Like Screen Business

Write Your Documentary

Develop your ideas for a documentary project with a thorough exploration of the craft of documentary scriptwriting. From research to interview questions, treatments to scripts, this course explores the challenges of writing compelling stories for documentary.

Guided by an experienced documentary writer & filmmaker, practical group sessions in developing concepts and constructive feedback on written treatments will push you towards a strong, well thought-out project.

Who should do this course?
Suitable for writers or directors interested in documentary. Also relevant to those with some experience in writing and want a deadline to develop their documentary concept.

Pre-requisites: Basic English literacy necessary. Beneficial to bring your ideas for documentaries to the first session.

When: April 22, 29, May 6, 13, 20, 27, June 3 / August 20, 27, September 3, 10, 17, 27
Cost: $360 full / $300 OC members
Time: 6:15 - 9:15pm Tues (Apr - Jun) / 6:15 - 9:15pm Wed, 10.00am - 5.00pm Sat (Aug - Sept)
Duration: 7 evenings
Maximum participants: 12

February Tutor: ELISE WEST
Elise West has extensive experience in international current affairs, video journalism and independent documentary. She has researched and written various documentaries for SBS’s Dateline and has worked on projects with low budgets in foreign countries. She is currently co-directing a feature documentary set in Peru – an Australia/USA co-production with finance from SBSi and FFC.

Testimonial
The most satisfactory areas of this course:
Advice on writing a treatment (& support!)
Receiving excellent feedback on my treatment
Looking at Docos and discussing devices & creative choices used
Workshopping ideas & knowledge
Length of course
Presenter/tutor
Tutors experience in the industry. Elise was excellent!
Developing own project within a group, really helpful to get your project moving
August class, 2007

Young Filmmakers Summer Workshops (13 to 17 year olds)

These summer holidays, don't just watch films... learn how to make them! If you love film and TV and can see yourself behind the camera or in the director's chair, then you need OPEN CHANNEL's three-day, hands-on course for young people who want to make movies.

Guided by professional filmmaker Elise West, you get to shoot, act, direct and edit a short video. You’ll learn about lighting, camera, sound and editing. You’ll work in small groups, shoot with professional gear, edit on Final Cut Pro and learn the skills you’ll need to make your own films. All participants receive a DVD of the film with their name in the credits. So get ready to shout ‘Action’!

When: January 15 - 17 / January 22 - 24
Time: 9:30am – 4:00pm Tues to Thurs
Cost: $250
Duration: 3 days
Maximum participants: 10

Tutor: ELISE WEST
Elise has extensive experience in international current affairs, video journalism and independent documentary she has researched and written various documentaries for SBS’s Dateline. She has worked in low budgets without crews and in foreign countries. She is currently co-directing a feature documentary set in Peru – an Australia/USA co-production with finance from SBSi and FFC.

Young Filmmakers Holiday Workshops (13 to 17 year olds)

Want to make a film in the holidays? Over three days you'll learn all about lighting, camera, sound and editing. Make a short drama film and get with industry standards.

Professional filmmaker Elise West will teach you how to operate a camera, sound, lights and edit a short drama. Work in small groups, rotate through crew roles, act, direct, shoot with professional gear, edit on Final Cut Pro and learn the skills you’ll need to make your own films look professional.

All students get a DVD of the completed film.

Who should do this course?
Designed for 13 - 17 year olds only.

Pre-requisites: No experience necessary.

End of Term 1
March 25, 26, 27 / April 1, 2, 3

End of Term 2
July 1, 2, 3 / July 8, 9, 10

Time: 9:30am – 4:00pm Tues to Thurs
Cost: $250
Duration: 3 days
Maximum participants: 10

Tutor: ELISE WEST
Elise has extensive experience in international current affairs, video journalism and independent documentary she has researched and written various documentaries for SBS’s Dateline. She has worked in low budgets without crews and in foreign countries. She is currently co-directing a feature documentary set in Peru – an Australia/USA co-production with finance from SBSi and FFC.

Testimonial
The editing software, camera's and other equipment were cool.
Filming, directing and editing a film to take home was fun.
October 2007

All of it was great!
Tom, September 2006

Editing on Final Cut Pro rocked!
Henry, September 2006